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Berlinale Review: Blue Moon is a Melancholy Song for Ethan Hawke and Richard Linklater

Summary by The Film Stage
There was Dewey Finn, Ned Schneebly, Willoughby, Mason Evans Sr.––now there’s Lorenz (or Larry) Hart. Richard Linklater likes a certain type of guy, and maybe these features come across too infrequently in his female characters: charismatic, voluble, verbose, enthusiastic as a puppy, and if prone to morose stretches, never in a way that destabilizes an essential upbeat humanism.  Blue Moon, which world-premiered at the Berlinale, is another beau…
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AwardsWatch - ‘Blue Moon’ Review: Ethan Hawke and Andrew Scott Sizzle in Richard Linklater’s Tragicomic Valentine to Love and Broadway [A-] – Berlinale

On a cold, rainy November night in 1943, a disheveled man with a long overcoat and a bottle of booze fell to the ground unconscious, unnoticed and uncared about by those going past. Only three days later, he would pass away from pneumonia complications. That man was the lyricist Lorenz Hart (Ethan Hawke), the scribe…

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The Film StageThe Film Stage

Berlinale Review: Blue Moon is a Melancholy Song for Ethan Hawke and Richard Linklater

There was Dewey Finn, Ned Schneebly, Willoughby, Mason Evans Sr.––now there’s Lorenz (or Larry) Hart. Richard Linklater likes a certain type of guy, and maybe these features come across too infrequently in his female characters: charismatic, voluble, verbose, enthusiastic as a puppy, and if prone to morose stretches, never in a way that destabilizes an essential upbeat humanism.  Blue Moon, which world-premiered at the Berlinale, is another beau…

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The Film Stage broke the news in on Thursday, February 20, 2025.
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