Is sovereignty turning into Fantozzi?

Rome, April 4 — Fifty years ago, Fantozzi was released in Italian cinemas for the first time. The accountant was destined to become a cult figure, a real tragicomic mask of Italian society. But after all this time, Paolo Villaggio's creature has undergone a strange transmutation (as rightly noted by Progetto Razzia): from a simple loser to an object of nostalgia, from being exploited in Megaditta in the image of a paradisiacal fixed position, fr…