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“It Doesn’t Have to Always Cost $200 million”: DP Lol Crawley on Shooting <em>The Brutalist</em> (Mostly) in VistaVision - Filmmaker Magazine

Summary by Filmmaker Magazine

In The Brutalist, a creatively uncompromising Hungarian-Jewish architect (Adrien Brody) immigrates to Pennsylvania after World War II and struggles to complete an ambitious project financed by a wealthy industrialist (Guy Pearce). Creating a three-hour epic in 34 days for under $10 million doesn’t allow the luxury of boundless obstinance, yet it’s easy to draw parallels between the protagonist’s unyielding artistry and a team of filmmakers that …

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Filmmaker Magazine

“It Doesn’t Have to Always Cost $200 million”: DP Lol Crawley on Shooting <em>The Brutalist</em> (Mostly) in VistaVision - Filmmaker Magazine

In The Brutalist, a creatively uncompromising Hungarian-Jewish architect (Adrien Brody) immigrates to Pennsylvania after World War II and struggles to complete an ambitious project financed by a wealthy industrialist (Guy Pearce). Creating a three-hour epic in 34 days for under $10 million doesn’t allow the luxury of boundless obstinance, yet it’s easy to draw parallels between the protagonist’s unyielding artistry and a team of filmmakers that …

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Filmmaker Magazine broke the news in 12 days ago on Tuesday, February 11, 2025.

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